The movie “The
Good, the Bad, the Weird” by Kim Jee-Woon depicts the incident among the three
Korean guys in Manchuria. Similarly, the reading “Escape” by Ch’oe Seohae also
depicts the story of Korean diasporas in Manchuria. In 1930s, after Koreans
lost their country to Japan, they started to move to Manchuria because
Manchuria was the land of opportunity. Also Manchuria was important place for independence
fighter because it was their main headquarter during this period. Yoon Tae-Goo
probably moved to Manchuria for his new opportunity like the protagonist, Pak
in the reading; however he finds it just as economically bleak and economically
divided as Korea, so he decided to become robbery to get better life and found
a treasure map in the train. Both Japanese soldiers and Korean Independence
fighter tried to get the map because they both think that the money can end up
with this colonization which means Japan can suppress the independence movement
and independence fighter can make their group bigger, get more weapons, and get
more power to eliminate Japanese from their country. I thought that the map
symbolizes Koreans only hope that they can bring their country back. Finally
the bad guy Park Chang-E died and I thought that the bad never beat the good
which reminds me that Japan finally got their punishment when they were
defeated in war.

Unlike the
previous movies that we watched, the director focused on western genre because
the title of movie is based on the western movie called “The Good, The Bad, and
the Ugly” in 1966. While I was watching this movie, I could easily notice that
the background of the movie is after the modernization. When you look at the
characters’ clothes, they were not wearing Korean traditional clothes anymore.
The good guy Park Do-Won was wearing like a cowboy and the bad guy Park Chang-E
was wearing a suit. Also, the weird Yoon Tae-goo was riding a motorcycle instead
of horse.

On
Friday, the guest speaker talks about the Imperial Sovereignty and Colonial
Violence. He introduced the Peace Preservation Law which is a series of law enacted
during the Empire of Japan in 1925 to 1945. In 1925, “Anyone who has formed an association with altering the Kokutai,or the system of private property, and anyone
who has joined such an association with full knowledge of its object, shall be
liable to imprisonment with or without hard labour, for a term not exceeding
ten years;” however, in 1928 it revised to the law,
raising the maximum penalty from 10 years to death because the Japan Communist
Party prompted “red scare” and which led to March. 15 Incident. Many Japanese
were mentioned that communism as “dangerous thought activities” and emphasized
that Kokutai is absolute. This law was also enacted in colony such as Korea;
however, it was slightly different in which Korea uses alter Kokutai and denied
pivate property system.
I'm glad you pointed out the fact that in this movie particularly, the clothes of almost all the characters we see are not "traditional Asian wear". Do you think that ties into how the director made this movie a western one? If it was any other genre in the same time period, do you think we'd see more traditional clothing?
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