The Korean comedy film YMCA
Baseball Team, directed by Kim
Hyun-seok, has many instances and scenes that portray modernity in a positive
light. One thing to note firsthand is
that the modernization that is featured in this film starkly contrasts to the
film screened the past weeks. The past
two films had a strong Japanese presence pertaining to the notion of modernity
but in this film, the American presence stood out more not to mention baseball
being a western sport. While the
Japanese presence remained as an antagonist throughout the film, the American
influence was more subtle than I expected.
Their overall contribution to modernization could be almost described as
analogous to the clockmaker’s theory where they just keep a backseat position
throughout film despite being the main cause of the baseball team. There is a more welcoming atmosphere to
change despite the resistance of modernizing under the pretense of Japanese presence
at the time. The question arises whether
modernization is analogous to westernization in this context and what the
impact of that is.
The second thing to note is how the genre of comedy plays
out to present the conflict between modernization and maintaining traditional
values. Yi Ho-chang, the protagonist of
the film, is the son of a scholar and his pursuit of baseball puts him in a
parallax position where he is not “primitive” or completely “modernized”. In an early scene where Yi Ho-chang discovers
baseball, humour is promoted through Yi Ho-chang’s awkward introduction to the
sport where an American gentleman kindly instructs him to not kick but to throw
the ball. Yi Ho-chang is portrayed as
more primitive or bestial in contrast to the American gentleman in this
particular humorous scene so one could ponder whether it is something completely
safe to simply laugh off. One could also say that the genre helps promote a better image of modernity to the audience in a more lighthearted manner that was not seen in the past two films.
Lenin Amaya
Lenin Amaya
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