Monday, 31 March 2014

The Host and Globalization

The Host (2006) by Bong Joon-ho is a Korean blockbuster that has amassed large nationwide fame. It broke the domestic hit record, with 13,010,000 viewers in the nation. According to Lee, the box office success of the movie marks a “disjuncture between the nationalist ideology appropriated by the domestic film industry and its economic interests.” (Lee, 54) This is because the movie does not incorporate an overtly nationalist sentiments and tackle any particular Korean issues.


There were few scenes where foreigners were casted to play the civilian role. This made me think of the ethnic nationalism that Shin mentioned. It was suggested that Koreans feel less related to foreigners living in Korea than Koreans living abroad. However, the movie The Host portrays foreigners crying amidst the Korean population, very naturally. Does this detail provide a base for the argument for similarities to Hollywood movies?


In my opinion, The Host incorporated many details that still were appealing to the Korean audience. In the scene where the whole family were having a meal, we could see the family members giving food to the youngest child and taking care of her. This emphasis on family not only attracted diverse segments of the audience, but also related to Koreans’ importance of family. 

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