I’m a die-hard fan of Gi-Wook Shin.
His writings always turn on the “here-we-go” bulb above my
head. Feels like every time there are some fresh insights and reflections
retrieved, particularly I enjoyed this week’s Division and Politics of National Representation, but I’ll briefly
talk about the agrarianism presented in Welcome
to Panmujeom for now.
Beside the expected themes of
humanitarianism/nationalism/Anti-modernism, there is a third narrative in the
film – Agrarianism. It is presented as the utopian world presenting the best of
Communism and Capitalism, totally egalitarian in labor and equal in politics
(if there is a solid political system at all). And most appealingly, the
villagers are heart-breakingly innocent and kind – uncontaminated by the modern
world gradually taken by both sides.
There is certainly a nostalgia of the good old days, and a
touch of “restoring and developing the spiritual and moral power expressed in
creeds (shin)” – but not trying to be too cynical here, I do find it naïve to
over-generalize the peasant/agrarian life being the warm, intrapersonal
condition that the modern and callous people (Here ironically represented by
the UN troop) crave.
Surely modernity is not inherently good or historically
necessary, but if anything, it does bring out the open mindedness onto the
scene, which is especially crucial for women. Shin mentions female chastity being one of the creeds
that the agrarianists promote, which is rather alarming. I believe that the
most appealing aspect of agrarianism is its promise of close human relationship
and simple life style because otherwise most people would not, generally
speaking, work in the field ten hours a day and have their food as well as
shelter completely dependent on the nature’s will. Yet even that promise could
not be dutifully met: I’m quite skeptical of how open and welcoming the real
peasants could be, particular to the foreign concepts, let alone a ”big nose”
guy climbing out of a gargantuan machine. Lack of education and worldly interaction
easily falls into the trap of narrow-mindedness and ethnocentrism – I could be
wrong, but I genuinely believe women as a whole benefit more from modernity
than agrarianism.
I totally agree that the film offers an utterly romanticized fantasy of agrarianism. This is the polar opposite of the representation of agrarianism from works of fiction like From Wonso Pond and "The Escape."
ReplyDelete