The Host is
about a monster that is found in the Han River. The film gets into a climax
when it starts eating civilians who get near the river. What the strange thing
about the creature is however that it is not a typical beast but a complicated
one with a complicated meaning. The film begins with a scene set in a dark lab
where US officers order Korean officers to discard many bottles of toxic liquid
in the Han River. Two years later, two fishermen find a disgusting shaped tiny
mutant creature in the river, and it took me a while to figure out the bigger meaning
of the film as a whole. Grafting droll humor and sly political commentary onto
the DNA of an unrealistic creature, director Bong criticized the real incident
in 2000 in which the American military dumped a large amount of chemicals down
the drain. The film not only depicts a political commentary about the U.S. but
also about the incompetence of the Korean government. A monsters or a beast
devouring humans is a mythical/fantastical creature we often see through
animation, but the one portrayed here appears in the real world and its
presence has a deeper meaning. While post-Shiri hits have touched on historical
traumas such as cold war, 1980 Kwangju Massacre, because of the shared
historical memories and social issues, such films are identified by domestic
audiences as cultural texts embodying the nation. (Lee, 50) However, the Host
does not draw on nationalism of the Korean nation. Before I watched it, I had
expected that it would be just one of the typical horrifying monster movies,
but the Host was more about the characters and their situation than the monster
itself, as the article also states the film “centers more on social issues than
special effects” (Lee, 55) It was also visually stimulating that the film was
well balanced with excitement and tension. its effect made it possible to break
all box-office records in Korea’s history.
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